The truly Old Masters, Modern edition

matisse at workVolume 2 of our series “Truly Old Masters” focuses on Modern and Contemporary artists who lived long and fruitful lives in the twentieth and twenty-first centuries (except Americans, who will be the subject of Volume 3). Since medical care improved considerably after 1900, it has become more and more common for artists to live to a ripe old age. That’s why for this volume we’ve raised the bar from 75 to 80 years old. Still, the list is long, even though it covers not much more than a century.

While there are plenty of artists who worry about aging, many celebrate it as an opportunity to do more and better work. To congratulate the Swedish director Ingmar Bergman on reaching his 70th birthday, the 77 year old film-maker Akira Kurosawa wrote to him about an artist who “bloomed when he reached eighty.” Kurosawa, who lived to 88 and continued to write films almost to the end, told Bergman that he realized his own work “was only beginning” and that artists are “not really capable of creating really good works until [they] reach the age of 80.”

2009-louise-bourgeois

Louise Bourgeois in 2009

Recent studies are debunking the old theories that great artists (and scientists, for that matter) do their best work by the time they are thirty. The sculptor Louise Bourgeois who lived nearly to 100, described herself as a ‘long distance runner.’ When she was 84, she was asked whether she could have made a recent work when she was younger. She replied, “Absolutely not.” When asked why, she explained, “I was not sophisticated enough.”

Old age is not without its hazards, but even they can be inspiring. Henri Matisse suffered from a near fatal illness in his seventies.  After he survived a dangerous surgery, he said,

“My terrible operation has completely rejuvenated and made a philosopher of me. I had so completely prepared for my exit from life that it seems to me that I am in a second life.”

Despite being mostly bedridden, his ‘second life’ led to the exuberant, colorful paper cut-outs that occupied him for the rest of his life.

Below is a gallery of portraits and works by twentieth century artists who did not die young but lived long enough to truly become old masters. [Click on an image to begin slide show.] Continue reading

The truly Old Masters, Volume 1

van-gogh-picassoThe story of a great artist whose life is tragically cut short, like Raphael, Van Gogh, or Caravaggio, is one of the most popular themes in art history. But what about the artist who lived a rich, full life? There are far more great artists who lived to be 75 or older than those who never reached 40. In fact, there are so many that we will need more than one installment to highlight them all. ‘Volume 1’ of The truly Old Masters features artists who lived all or most of their lives before the twentieth century and were not Americans.

The popular idea that the greatest work of any artist is already done by the age of thirty, flies in the face of countless examples of mature works of genius. Why should anyone be surprised that a talented artist will benefit from longer study of any art form? The colorful paper cut-outs in Matisse’s Jazz and Michelangelo’s Dome of St. Peters are just two examples of a tour-de-force by truly old masters.

Hokusai (1760-1849) [89], Self-portrait at the age of 80

Hokusai (1760-1849) [89], Self-portrait at the age of 80

The maxim of Hippocrates, Ars longa, vita brevis (Art is long, life is short), is both a blessing and a curse for artists. That’s because so many, like the great Edo era artist Hokusai, are never satisfied with their past works and count on reaching a ripe old age to finally become successful. He explained,

“From the age of 6, I had a mania for drawing the shapes of things. When I was 50, I had published a universe of designs. But all I have done before the the age of 70 is not worth bothering with. At 75, I’ll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am 80, you will see real progress. At 90, I shall have cut my way deeply into the mystery of life itself. At 100, I shall be a marvelous artist. At 110, everything I create; a dot, a line, will jump to life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokusai, but today I sign my self ‘The Old Man Mad About Drawing.”

While Hokusai only lived to be 89, he somehow managed to create over 30,000 works before his death. Among them are some of the most famous Japanese woodcuts, like the iconic “The Great Wave.” He also invented a revolutionary genre of sketchbooks called manga, whose influence continues to today.

But still Hokusai wished to live longer to make even better works. He would have understood completely what Leonardo da Vinci is reputed to have said as he lay dying in the arms of the King of France at the age of 67 — “I have offended God and mankind because my work did not reach the quality it should have.”

Below is a gallery with later work by artists who may have thought life is too short but lived long enough to truly become old masters. [Click on an image to begin slide show.] Continue reading

Oscar Wilde on Whistler and vice-a-versa

 

Oscar Wilde

Oscar Wilde

Speaking of his friend, the painter James Abbott McNeil Whistler, Oscar Wilde once said,

“Mr. Whistler always spelt art, and I believe still spells it, with a capital ‘I,'”

a legendary put-down applicable to far too many artists, writers, and other creative types.

Wilde, the author of The Importance of Being Earnest, and The Picture of Dorian Gray, was one of the great wits of his age. His target was one of the first American modern artists, best known today for a portrait called by most “Whistler’s Mother,” seen less often in art books and more in sentimental greeting cards and even a postage stamp.  This, rather than the above quote, would have horrified Whistler, who intended the painting to be a dispassionate revolutionary statement of art for art’s sake.  He had titled it Arrangement in Grey and Black No. 1.

J.A.M. Whistler, Arrangement in Grey and Black No. 1, Louvre, Paris.

J.A.M. Whistler, Arrangement in Grey and Black No. 1, 1871. Louvre, Paris.

Continue reading